acf domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131ga-google-analytics domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131woocommerce domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131wp-user-avatar domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131loginizer domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131wordpress-seo domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/offthebe/podbiblemag.com/wp-includes/functions.php on line 6131The post Podimo surpasses 1 million paying subscribers in its first five years! appeared first on POD BIBLE.
]]>Founded in Denmark in 2019, Podimo has since expanded to six markets in Europe and across Latin America, and continues to show substantial growth across all the markets in which it operates. This early milestone has been achieved through Podimo’s deep understanding of local markets along with the contributions of its strategic acquisitions including Dag en Nacht Media, Tonny Media, and PodAds. Podimo has already become profitable in three of its markets, and expects to grow dramatically by the end of 2025.
One of the key drivers behind Podimo’s success has been its ability to curate and deliver content tailored to the unique tastes and preferences of each region’s listeners. “Reaching 1 million paying subscribers is a massive achievement from our humble beginnings in Denmark, and a testament to our model and strategy of investing in local content and building strong relationships with local creators. By bringing this approach to many markets, we have cemented ourselves as a global player,” said Morten Strunge, CEO and Founder of Podimo. “Many thought podcast subscription was a niche thing. It’s not. 1 million is just the tip of the iceberg, and it proves that the ceiling for this business is incredibly high when we can effectively showcase the right content to the right audience,” Strunge added.
Beyond the Nordics, Podimo is seeing significant momentum in regions like the Netherlands, which launched only 2.5 years ago and is already profitable. “Our growth goes well beyond the Nordics. The majority of our subscribers come from our other markets, where we’re generating 10-15x more revenue per listener than advertising and putting that directly back into creators’ pockets. This is about more than just business – it’s about sharing great content with people and making sure creators get the support they deserve,” said Strunge.
Over the past two years, Podimo has been investing heavily in its product, with significant upgrades to the user interface, resulting in a 45% increase in overall listening on the platform in 2024. Subscribers enjoy 20 hours of content a month, across 3–4 exclusive shows per week. This has been driven by improvements in its personalized recommendations and interactive community features including comments, in-show emojis, polls, and fan profiles.
As Podimo continues its upward trajectory, the company remains focused on innovation and content quality. Podimo’s future includes further investment in local talent along with in-depth narrative formats, deeper integration of product features, and expansion into new markets. “Our mission is to become the go-to destination for spoken audio entertainment and preferred partner for creators, and we’re confident that we’ll continue to reach new heights as we evolve.”
Podimo is a subscription-based podcasting and audiobook service available in six countries across Europe and Latin America, and was Fast Company’s “Most Innovative of 2024.” It offers a wide range of local-language spoken audio entertainment through award-winning exclusives and originals, audiobooks, as well as podcasts available on all platforms. With a focus on local stories and diverse voices, Podimo is committed to giving creators more opportunities to earn revenue and develop their audience, resulting in more and better content for listeners. The app offers a personalized audio experience including interactive community features, and can be enjoyed on iOS and Android, iPad, CarPlay, as well as on web player at podimo.com.
Article wording adapted from Podimo press release
To find out more about Podimo, you can watch our interview with Sachin Doshi, Chief Content Officer at Podimo.
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]]>The post Introducing…THE GOLDEN LOBES! appeared first on POD BIBLE.
]]>The Golden Lobes honour the hilarious podcasts and people that keep us laughing week after week. After three successful years of Cheerful Earful attracting sold-out live audiences and top-tier comedy podcast talent, this new awards night continues the festival’s mission: to celebrate, champion, and connect the vibrant world of funny podcasts.
While The Golden Lobes focus on comedy and entertainment, podcasts of any genre from around the globe are encouraged to enter. Whether it’s a laugh-out-loud blooper from a true-crime podcast or an off-the-cuff tangent in a history show, the awards embrace humour wherever it’s found.
For just £25, creators can submit entries in one or multiple categories, with submissions capped at five minutes to keep things simple and focused on creativity.
“Awards can often be a last-minute hassle,” says Cheerful Earful founder Giles Gear. “The Golden Lobes have been designed with podcasters in mind – affordable, straightforward, and stress-free. We’re incredibly grateful to our headline partner, Adelicious, whose generous support, along with contributions from other industry leaders, has made this possible.”
“Comedy podcasts bring joy to millions, and it’s about time they finally got the recognition they deserve, with their own dedicated awards,” says Andrew Goldsmith, CEO of Adelicious. “The diversity and creativity within the comedy podcast space is incredible, and Adelicious is proud to support the Golden Lobes and join them to celebrate the best in the industry.”

Audience at Cheerful Earful

Cheerful Earful festival
The Golden Lobes don’t just hand out trophies – winners take home a bucket-load of meaningful perks, including:
The awards ceremony will take place on Wednesday 7th May 2025 at the iconic Clapham Grand in London.
“There is nowhere more suitable for a Global award ceremony than Clapham Junction,” says Ally Wolf, Venue Manager of The Clapham Grand, “Home of Europe’s busiest train station (by trains passing through, not customers) and of course us, The Clapham Grand – an International Palace of Worldwide Variety.”
Entries are open from today and close at 11:59 PM on 15th March 2025.
For more information and to enter, visit https://podlifeawards.com/about/the-golden-lobes-2025!
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]]>The post BBC Sounds Audio Lab 2024 appeared first on POD BIBLE.
]]>Launched in 2022, BBC Sounds’ Audio lab, returns for its third incarnation. The project has been designed to help support up-and-coming audio creatives, with the aim of advancing their creative development through building confidence and connection whilst enhancing their writing, recording, performance, and promotional skills.
Former alumni have seen great success, with an ARIA Gold award for Best New Podcast forged from the inaugural Audio Lab, and three nominations at this year’s British Podcast Awards. Black Gold is nominated for Best Climate podcast and there were two nominations for Sacred Money in the Business and Editor’s Choice ‘Specialist Award’ category.
Now four new creators from under-represented backgrounds – Hugh Sheehan, Mia Thornton, Jay Behrouzi-Sneade, and Meg Elliot – have been chosen to turn their ideas into podcasts.
As part of a collaborative paid programme, the four successful applicants will receive advice and guidance from industry professionals, access to tailored resources, and tools and experiences to connect and collaborate.

Hugh Sheehan is an audio producer and musician/composer originally from Birmingham. Much of his work explores questions around gender and sexuality, desire and shame, assimilation, and radicalism. In 2020 he was commissioned as a New Creative by BBC Arts and Arts Council England to make Lost Time – an audio short contemplating LGBTQ+ people’s experiences in getting to live life on their own terms.
Working with Reduced Listening, Hugh’s podcast will focus on lesser-known modern legal cases or pieces of legislation that concern the lives and rights of LGBTQ+ people in the UK. It will chronicle the legal proceedings and the events surrounding them and explore how each have become a part of the struggle for queer liberation. As well as the specifics of the cases, each episode will act as a lens to explore more broadly the criminalisation of queerness and its societal ramifications.
Meg Elliot is a writer, zine-maker, and mountain biker from Shropshire. She is fascinated by story, folklore, and the way memory lives in landscapes. Meg co-creates a zine exploring nature through art and writing and is one half of The InBetween Collective, an international creative group sharing stories of culture, resistance and celebration. She has also worked on heritage projects across the UK investigating the social impact of environmental projects.
Production partner, Overcoat Media, will help facilitate Meg’s successful pitch, which hooks into the resurgence of a cult fascination with the ancient past and folk traditions; how our identities are formed – both as individuals and as communities, and how landscapes (and the communities held by them) inform – in part – a lot of what makes us ‘us’. The podcast will look at how we have largely lost celebrated connections to the landscapes we’ve grown up in – many ritual festivals have been lost, and the stories once collectively remembered have begun to fade. Meg will delve into the stories that remain waiting to be rediscovered, and this podcast will work as a larger project of remembering, of celebration and community-strengthening, grounded in connections to the physical landscape.
Mia Thornton is a creative producer currently based in Liverpool. Mia is driven by a passion for storytelling and a commitment to amplifying Black voices. She has worked on a wide range of creative projects for both global brands and community-based initiatives, showcasing her talent and versatility.
Working with Audio Lab’s production partner, Manchester Reform Radio, Mia’s successful podcast pitch will delve into how black culture has helped shape different music genres. Featuring archival content, covering pivotal moments in history, the impact on the global music landscape, as well as interviews with industry experts, musicians and cultural commentators. The podcast will offer an immersive journey through music history, with black voices at its core. From the soulful melodies of jazz to the defiant spirit of punk, and the innovative beats of techno, the podcast will showcase the resilience, creativity and influence of black musicians across genres, celebrating the rich tapestry of black musical heritage, whilst challenging stereotypes and amplifying underrepresented voices in the music industry.
Jay Behrouzi-Sneade is a Filipino-Iranian journalist from Liverpool hailing from a long line of passionate cooks! Replicating global cuisine at home was a big part of her upbringing as a part of her multi-heritage expat family in the United Arab Emirates.
Working with production partner, BBC Audio North, Filipino-Iranian immigrant Jay is hoping to reconnect with her heritage, by creating a positive, food-science documentary. Jay seeks to understand the chemistry of cooking. Each episode will explore a different chemical principle, experimenting with Filipino recipes, talking to guests, and discussing the British-Filipino experience. With the help of food-chemists, Jay hopes to understand the science behind a ‘dash of this and a sprinkle of that’ and how it works together to create the food she loves.
Khaliq Meer, Audio Lab Commissioning Executive says: “It’s thrilling [to] be at the starting line again with a new cohort of fresh talent – poised for a development experience like no other. It’s been a joy getting to know Meg, Mia, Hugh and Jay. We’ve teamed them up with some of the UK’s very best audio producers so they can be led and supported to realise their creatively ambitious ideas whilst growing their skillsets on-the-job. I can’t wait to press play on what they dream up. Best of luck Audio Lab Class of 2024 – you’ve got this!”
In addition to four multi-episode projects, Audio Lab is partnering with Multitrack, a charity working to raise awareness around diversity, equity and inclusion in the audio industry, by sponsoring its award winning 12-week Fellowship programme, supporting fourteen full-time paid placements, creating three additional part-time placements for producers outside of London, and helping fund two commissions for BBC Sounds.
Pod Bible echoes Khaliq Meer’s words: “Best of luck Audio Lab Class of 2024 – you’ve got this!”

To find out more about BBC Sounds’ Audio Lab, readers can go to the website or follow BBC Sounds on Instagram and Twitter/X.
Article wording adapted from BBC press release
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]]>The post Rock ‘n Roll Birder returns for series two! appeared first on POD BIBLE.
]]>Amateur budding twitchers and nature lovers alike are invited to join Matt Spracklen, AKA the Rock ‘n Roll Birder, on a weekly birdwatching walk and talk by tuning into series two of the Rock ‘n Roll Birder podcast which returns on the 24th of July.
In each episode of the new series, Matt will be out in the elements visiting beauty spots and nature reserves across the UK where the birds are always the stars of the show. As well as being joined by his wife, producer Sarah Spracklen, this series he will also be joined by expert guests including Jack Baddams, BBC Springwatch’s wildlife researcher; Jon Carter who works for the British Trust for Ornithology; Naomi Johns from The Bird of Prey Project; James Cook (@WildlifeWithCookie), and Paul Bennett from RSPB Coombes Valley and Consall Woods.
His contemporary perspective on birdwatching has seen Matt’s Instagram page, @RocknRollBirder, amass 69,000 followers since launch in January. With famous names including Jim Moir, Emma Freud, Sarah Millican and Tom Chaplin listening in to catch a bird song or two.
Matt says: “Whether you’re a birding novice or a seasoned twitcher there’s something for everyone on the podcast. I love talking about birds but I would also love that this could somehow be a gateway for young people to get more passionate about the things they can do to protect and conserve our wildlife and nature.”
Throughout the series, Matt interviews guests who have turned their love of birds and wildlife into their profession. When he isn’t joined by a guest, Matt and his producer and wife, Sarah, who is new to birding, go on a birdwatching walk of their own.
At the start of each episode, Matt also answers ‘Birding Questions’ sent in from the Rock ‘n Roll Birder community.
Sarah is a radio and podcast producer. She has spent the last ten years at Absolute Radio producing The Frank Skinner Show and is the producer of the critically acclaimed Frank Skinner’s Poetry Podcast. Sarah also spent many years at Virgin Radio working with radio greats including Edith Bowman. Sarah and Matt first met when she produced his very first radio show back in 2016 and they are loving working together again.

As for Matt, he has loved birdwatching since he was young. He said: “My mum used to let me be late for school because I was so fascinated watching the birds in the garden. My teachers got me to engage with reading work using bird books, so that’s how I learnt to read. I collected bird encyclopedias and had a real passion for birdwatching as a child.”
In recent years Matt reignited his love of birdwatching and photography after spending his 20s living a high-octane life touring in a punk band and working in the music industry.
He rediscovered the mindful mental health benefits of birdwatching during the 2020 lockdowns when feeding the garden birds became a relaxing pastime and pleasure. Matt started to take pictures of different species, cataloging them and taking walks to see how many varieties he could capture. It was on one of these walks that the Rock ‘n Roll Birder podcast was born.
Matt said: “At first, when Sarah and I talked about recording a podcast about birds I was reluctant. Music is my other passion and that is also my work so part of me wanted to keep birding separate but the format of the podcast is so relaxed and natural it doesn’t feel like work.
These are walks and conversations we would be having anyway and sharing them as a podcast feels like we are allowing people to join us – expanding our own community and enjoyment. As well as facts and information we share lots of laughs and like to keep it light and easy listening.
Hearing from listeners who say we have inspired them to buy a bird feeder or to take a walk to listen to birdsong and see what they have learned is so rewarding.”
Alongside his work on the podcast, Matt is a presenter on CountryLine Radio and an ambassador for brands such as Hard Rock Cafe and Captain Fawcett. This podcast series is sponsored by Eco Bird Food and Green Feathers.
Series one, which featured 12 episodes recorded across the UK and from Sarah and Matt’s home studio in Surrey, is available to listen back on now.
This series, Matt is visiting RSPB Otmoor in Oxfordshire, Sherwood Forest in Nottinghamshire, British Trust of Ornithology HQ in Norfolk and other various birding hotspots in the Peak District and Lake District.

Listen to Rock ‘n Roll Birder on Apple Podcasts, Spotify and other popular podcast apps >>
Article wording adapted from Rock ‘n Roll Birder press release
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]]>The post Today with tonies: Screen-free entertainment and education for kids appeared first on POD BIBLE.
]]>Today with tonies is being made by award-winning podcast production and promotion company, Mags Creative, and is hosted by Sam Fletcher-Goodwin and Tim Warwood. It is aimed at children aged 4 to 7 with the hope that the informative and playful podcast will be able to keep children off their screens this summer!
Based on the award-winning daily exclusive show (only available to those with a ‘Toniebox’ – an audio player which plays songs and stories when a Tonie character is added to the top of it), Today with tonies is kicking off with 14 ten-minute long episodes packed full of fun, facts, challenges, and jokes.
The podcast covers subjects such as poetry, science, maths, and music and has been made with the support of an educational consultant, taking into account the KS1 and KS2 curriculum.
Polly Evans, Senior Audio Production Manager at tonies says, “Our ‘Today with tonies’ podcast is the ultimate choice for parents seeking enriching, screen-free fun for their kids. It’s a world of wholesome content that sparks curiosity, educates, and delivers endless giggles through engaging games and challenges.”
The podcast contains many interactive challenges such as asking children to find out how many times they can fold a piece of paper, teaching them to use a word from a different language, and playing the “wrong answers only” quiz.
Hannah Russell, Co-founder of Mags Creative, says of the podcast: “As a mother myself I’m so excited to work on a project that widens the pool of safe, secure and screen-free content for kids. And not only that – it’s entertaining too! Mags Creative is all about building communities through audio, and the phenomenal response we’ve had from parents and little listeners shows that this podcast is already doing just that, so we can’t wait to bring this podcast to even more ears.”

Listen to Today with tonies from 9th July on Apple Podcasts, Spotify and other popular podcast apps.
Article wording adapted from Today with tonies press release
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]]>The post PRESS RELEASE: Acast announces first ever Acast United line-up appeared first on POD BIBLE.
]]>
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]]>The post PRESS RELEASE: Final line-up revealed for the London Podcast Festival 2022 appeared first on POD BIBLE.
]]>Taking place in front of a live audience at Kings Place, the festival is a chance to celebrate the fast growing popularity of podcasts whilst giving listeners the unmissable chance to meet their favourite podcast hosts. A number of the events will be livestreamed to audiences across the world via KPlayer, the Kings Place pay-per-view platform. The London Podcast Festival was founded by Kings Place in 2016 and has since welcomed over 37,000 visitors and 500 podcasters.

Newly added shows include:
The Podcast Maker Weekend returns once more, offering a diverse series of podcasting workshops at Kings Place covering the art, craft, technology, business and politics of podcasting. Experienced speakers from the world of podcasting and broadcasting offer affordable sessions for both beginner and experienced podcasts and audio makers. Sessions include:
Tickets are on sale via the Kings Place website.
END
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]]>The post The nominees for the British Podcast Awards 2022 have been announced appeared first on POD BIBLE.
]]>Big hitters and celebrities have been highlighted across the board, including Greg James & Bella Mackie; And Then Came Breast Cancer with Victoria Derbyshire; Happy Place with Fearne Cotton; Tan France’s Queer Icons; Ed Gamble & James Acaster and Chris & Rosie Ramsey.
Sweet Bobby has three nominations, while French and Saunders’ Titting About and Jamali Maddix’s Spooky Shit are both up for the Best Comedy Podcast Award. The battle of the daily news podcasts is in full swing as The Guardian’s Today in Focus has 3 nominations and The Times’ Stories Of Our Times is up for both Best Interview Podcast and The Creativity Award.
Read the full list of nominations:
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]]>The post PRESS RELEASE: Podcast Giant Marc Maron joins Acast appeared first on POD BIBLE.
]]>Maron has, since the podcast started in 2009, become a phenomenon in the podcasting world and over the years has interviewed personalities including President Barack Obama, Kate Winslet, Keith Richards, Nicole Kidman, Stacey Abrams and Robin Williams – the latter episode being inducted into America’s National Recording Registry earlier this year. Shortly after Maron launched his podcast, it established itself as one of the world’s largest and most popular shows.
This partnership means that Acast will be the exclusive host and sales partner for the podcast, its full back catalog and other related materials. WTF with Marc Maron will continue to be released twice a week and will be available to all listeners, wherever they choose to listen to their podcasts. The agreement will come into effect from July 1, 2022.
WTF with Marc Maron will also be utilizing Acast+, giving the podcast additional monetization options including Maron’s back catalog and brand new bonus content for Maron’s paying members – without restricting them to listen to their paid-for content on a specific podcast player. In addition, Acast will offer advertisers the opportunity to promote their brand to Maron’s millions of listeners though both dynamic and in-episode sponsorships, plus much more.
“Entering into a partnership with the podcast giant Marc Maron is a big win for Acast and for the open podcasting landscape, as this deal guarantees that the podcast can continue to be listened to by everyone, everywhere and on their preferred listening platform. In addition to WTF with Marc Maron being one of the largest podcasts in the world, Maron is also one of the very best hosts in the business. This collaboration presents a real step forward for us in the North American market, adding millions of listens and strengthening our brand even further in the region. At the same time we will also be working with the show to increase the number of Marc Maron fans across the globe,” said Ross Adams, CEO of Acast.
“We’ve amassed an amazing catalog over the years and Acast offers us an opportunity to make it available in a way it hasn’t been before, especially in international markets. We’ve released two episodes every week for almost 13 years and we don’t plan on stopping any time soon. Acast won’t stand in the way of us doing the show the way we want to do it, the way we like doing it, the way we’ve always done it. They’re excited and focused and I think the partnership will be very productive,” said Marc Maron, host of WTF with Marc Maron.
“We take great pride in maintaining the high quality and universal accessibility of WTF, and we know we are in very safe hands with Acast. We will be utilizing both their expertise and innovative technologies, such as Acast+, to ensure our podcast stays ahead of the game. We look forward to sharing more and more great content with our listeners,” said WTF with Marc Maron co-creator and producer Brendan McDonald.
The deal was negotiated by Avalon who represents WTF with Marc Maron and Marc Maron.
ENDS.
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]]>The post The Guilty Feminist joins the Acast Creator Network appeared first on POD BIBLE.
]]>London, 9th September 2021: Acast, the creator-first podcast company, has signed Deborah Frances-White’s hilarious, award-winning podcast The Guilty Feminist to the Acast Creator Network. Winner of Pod Bible’s ‘Best Lifestyle and Culture Podcast’ 2019, and gold winner at the British Podcast Awards 2020, The Guilty Feminist will now be hosted, distributed and monetised by Acast.
The exclusive partnership will also see Acast support the launch of a slate of brand new podcasts from the house of The Guilty Feminist later this year. Planned shows will appeal to a similar audience as The Guilty Feminist, with three podcasts already in development spanning British politics, in-depth investigations on current affairs, and live comedy — the latter featuring a host of stand-ups acts who’ll be very familiar to The Guilty Feminist’s regular listeners.
UTA represents Deborah Frances-White and brokered the exclusive partnership deal with Acast.
Deborah’s inimitable delivery has helped the podcast amass more than 90 million listens, and has cemented her as one of the UK’s foremost voices in conversations around feminism. Recorded in front of a live audience each week, The Guilty Feminist tackles topics as wide-ranging as money management and mental health, with high-profile guests from the worlds of TV, comedy and journalism lending a hand — including the likes of Phoebe Waller-Bridge, Yomi Adegoke and Eddie Izzard.
As part of the Acast Creator Network, The Guilty Feminist‘s revenue, and those of its new launches, will be strengthened by Acast’s range of monetisation options — which include premium ad products available exclusively via the Acast Marketplace, branded content and the option of fan-supported revenue streams through Acast+.
Acast’s podcast team will help Deborah expand The Guilty Feminist’s audience and bring listeners to her planned new shows, with Acast’s commitment to open podcasting meaning they’ll remain available to listen to globally across all podcast listening platforms.
Deborah Frances-White, host of The Guilty Feminist, said: “There’s never been a more thrilling, vibrant, animated time for feminism. It is such a joy and a privilege to be at the beating heart of such an electric movement — co-creating a funny, entertaining forum for new ideas, sparky conversations and productive action, with a tone that welcomes imperfect feminists everywhere.
“Gloria Steinem says, ‘a movement has to be moving somewhere’. With the wonderful people at Acast putting their gas in our tank, who knows how far and fast we can go? They’ve really helped us keep the podcast free for anyone in the world to listen to, while enabling us to pay our guests and contributors – as well as expand our podcast house — and I can’t wait to discover what we will build together.”
Clarissa Pabi, Acast’s Senior Content Development Manager, UK, said: “Deborah is an incomparable voice in podcasting and comedy. She’s worked so hard to create a safe and brave space for honest feminist conversations, and to nurture a community of loyal, engaged listeners — and we believe the stories she shares should be heard by people the world over.
“Working with Deborah and her team, and helping to launch a slate of new shows over the coming months, makes this a dream partnership.”
Shelby Schenkman, Emerging Platforms Agent at UTA, said: “Deborah’s podcast, The Guilty Feminist, is adored by its fans and has enjoyed millions of listeners over the years — thanks to this partnership with Acast, we’re confident we can build on that success and make a splash on a global scale.”
For brands and advertisers looking to work with The Guilty Feminist podcast, opportunities are available exclusively through the Acast Marketplace.
—ENDS—
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]]>The post Introducing Acast+, bringing new monetization options to podcasters everywhere appeared first on POD BIBLE.
]]>Currently in beta, some founding partners have seen an uplift in monthly revenue of more than 20% while first trialling the new product suite and offering Acast+ memberships to fans. Partners so far have included Talking Politics in the UK, Somna Med Henrik in Sweden, and others globally.
Henrik Ståhl, host of Somna Med Henrik, said:
“When Acast+ was first presented to me I jumped at the chance to trial it. Apart from the obvious ability it creates for me to earn more money per listen to my podcast, it also lets me be closer to my listeners by offering private content specifically for them.
“I’ve been able to shake up my content based on their wants and needs, which has been invaluable. To date, I’ve experienced both a new way to generate income and giving the podcast fans more of what they want.”
Catherine Carr, producer of Talking Politics, said:
“Talking Politics was originally conceived of as an educational resource — a way to try and make sense of the world through an easy-to-access, digestible podcast — and it’s wonderful to know that lots of students and teachers do listen. In the last few years we’ve built a highly engaged, loyal audience and have recently passed the twenty million listens mark.
“We initially thought our Acast+ subscribers would be most interested in listening without adverts, and some are, but others are simply looking for a way to give back and support us, which is so encouraging.
“Crucially for us, this enables other people to access further learning for free. Our other podcast, History of Ideas, is ad-free and generates no income, but takes resources, time and effort to produce. Acast+, with the support of our community, means we’re able to bring this valuable educational resource to so many people’s ears – something which has been even more important during lockdowns.”
Acast+ follows Acast’s recent partnership with Patreon, which lets podcasters seamlessly and securely distribute patron-only content to audiences across any listening platform. Acast’s mission is to provide creators with monetization options that best fit their needs, giving them more ways to make money, in more places — across platforms that are open and accessible to all.
Johan Billgren, co-founder of Acast, said:
“We’re developing the podcast industry with — and for — the creators. We firmly believe creators should always be fairly reimbursed for their craft, and it’s important to us that they own the relationship with their listeners, in whichever ways suit their individual show best.
“With the introduction of Acast+ we’re giving our creators even more ways to connect with listeners, and to grow and monetize their shows, wherever those listeners are — supporting the open podcasting ecosystem and helping the whole industry continue to thrive.”
Matt MacDonald, Acast’s VP of Product, added:
“We know monetization will never be a ‘one-size-fits-all’ solution, so we’ve launched Acast+ to offer podcasters of all sizes a suite of tools that can be mixed and matched however they like.
“As Henrik, host of Somna Med Henrik, said, direct support from listeners helps podcasters to deepen their relationships — and relationships power podcasts.”
Upon the wider rollout of Acast+, Acast will detail further capabilities including membership tiers, dynamic promo messages, insights dashboards, and more. To be the first to know when Acast+ goes live, register your interest here.
—
About Acast
Acast is the power source of podcasting, a global platform that offers everything creators and advertisers need to find and reach millions of listeners. Acast provides a creator-first, open ecosystem for podcasts that is profitable, fair and sustainable for any creator — from bedroom podcasters to celebrity shows or emerging influencers. Acast connects podcasters and advertisers through the world’s biggest podcast marketplace, offering reach to millions of immersed podcast listeners with host-front advertising campaigns, audio ads and branded content. Founded in 2014 by Johan Billgren, Acast now hosts 20,000 podcasts — reaching more than 300 million listeners every month and working with thousands of brands.
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]]>The post Patreon and Acast collaborate to make sharing private podcasts easier appeared first on POD BIBLE.
]]>A press release today announced that the integration between Patreon and Acast uses first-of-it-kind technology to make subscriber-only podcasts available to patrons on nearly every podcast app/player (such as on Apple Podcasts, Amazon Music, Pocket Casts, Overcast, etc). This means that listeners who pay for extra content can access both the free and subscriber-only content in the same place.
It also means that podcasters will be able to manage and upload all content (free and subscriber-only, for patron tiers) in a single dashboard powered by Acast.
The partnership between Acast and Patreon could be very useful in supporting independent podcasters to make a living from their work.
Check out the official press release below!

PATREON AND ACAST COLLABORATE TO MAKE PRIVATE PODCAST DISTRIBUTION EASIER THAN EVER
Powered by Acast technology, podcasters on Patreon are now able to seamlessly and securely distribute patron-only content to audiences across any listening platform.
Patreon, the world’s leading creator membership platform, and Acast, the podcasting giant, have joined forces to make patron-only podcast content available to listeners across all of the major podcast platforms.
This unique collaboration enables podcasters on Patreon to distribute private, patron-only content to their listeners’ podcast app of choice — including Apple Podcasts, Amazon Music, Pocket Casts, Overcast, the Acast app, and more. The integration allows podcasters to publish content via a private patron-only RSS feed, and with a plan upgrade, enables them to manage both their public and private feeds from the same place. Podcasters will also have access to data and insights about their listeners.
“At Patreon, we’re fostering an ecosystem where creators can connect more deeply with their audiences, and ultimately change the way their creativity is valued,” said Brian Keller, director of creator success at Patreon. “Patreon and Acast have a shared mission of helping creators earn a sustainable income for their art. As podcasting continues to be one of the largest creator categories on Patreon, our work with Acast makes it easier than ever for podcasters to cultivate their communities by delivering exclusive content to their most passionate fans, wherever they like to listen.”
Secure, patron-only podcast feeds
Acast’s proprietary ‘Access’ technology enables Patreon creators to supply patrons across different membership tiers with highly secure, unique, patron-only podcast feeds, reducing the risk of piracy and ensuring their patron-only content remains exclusive. Patrons are seamlessly authenticated according to their Patreon membership tier, through any podcast app that supports secure RSS feeds.
Podcasters can also easily encourage fans to become patrons by directly linking to their Patreon membership directly from the public episode notes, and new patrons are seamlessly guided back into their listening experience once they’ve joined.
Advanced audience analytics
Patreon podcasters can manage both free and patron-only content across all of their different Patreon membership tiers via a single dashboard, while Acast provides creators with its industry-leading podcast analytics as the only podcast company with all four measurement standards compliant with the Interactive Advertising Bureau (IAB).
Patreon podcasters now have more clarity over who is listening and engaging with their content, with robust data and insights about all of their content, including listener demographics, audience growth, performance insights, listenership by podcast app, and more.
“All creators should be able to reach the audience their content deserves, and to be fairly compensated for that,” said Leandro Saucedo, chief business and strategy officer at Acast. “Alongside Patreon, we’re taking our biggest step to date in our mission to support the global creator community, helping podcasters get their content out to more people. Creators thrive in an ecosystem where they can freely create, connect with their audiences, and make a living from their work across any platform — and this collaboration is all about supporting and enabling that.”
The technology will be launched for all Patreon podcasters this month, and follows a private beta that several high-profile creators — including Sleep With Me, 90 Day Gays, and other notable podcasters — participated in over the past few months.”
I love the Acast integration! The analytics let me know that patrons are listening to the content and give me clear insight into exactly what and how they’re consuming it. It’s secure and easy for patrons to get set up, and the fact that there is only one link to share makes it simple for listeners to find the content and brings new patrons to our membership!” said Drew Ackerman of the podcast Sleep With Me.
To learn more, visit acast.com/patreon.
ABOUT PATREON
Patreon is a membership platform that connects creators with their biggest fans and enables those fans to become paying members, or patrons, of their favorite creators. Co-founded in 2013 by YouTube star Jack Conte of the band Pomplamoose, and Sam Yam, we believe that every creator in today’s digital economy should get paid. Patreon is the best place for creators to establish ongoing and predictable monthly revenue and expand their career as a creator whether they are creating podcasts, music, fiction, game streams, online videos, photography, visual art, and more. Patreon’s more than 200,000 creators are supported by more than 6 million patrons, and creators on Patreon have earned more than $2 billion in total. For information about the company, visit: https://www.patreon.com/
ABOUT ACAST
Podcast giant Acast is the engine powering creators, advertisers and listeners everywhere. Its services are the most sophisticated available and are constantly being updated with innovative new tools and functionality.
Acast hosts more than 20,000 shows worldwide, monetizing and growing global smash hits including My Dad Wrote a Porno, The Earios Network, and Forever35, as well as podcasts from publishers such as the BBC, PBS NewsHour, Vice, Complex, HuffPost, CBC, and Financial Times.
Founded in Sweden in 2014 by Johan Billgren, Acast’s team of more than 200 audio lovers are creating a sustainable and open podcast ecosystem — ensuring the whole industry continues to grow and flourish. Over the past six years Acast has generated nearly $100 million in revenue for podcasters around the world, running hugely successful ad and sponsorship campaigns for more than 3,000 brands.
The company has on-the-ground operations in 10 countries around the world, including Canada, the UK, US, Mexico, Australia, France, Germany, Ireland, Norway, and Sweden.
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